Sense vs.
Sensibility in Sense and Sensibility
“There are few people whom I really
love,
And still fever of whom I think well,
The more I see of the world,
The more am I dissatisfied with it;
And everyday confirms my belief of
The inconsistency of all human
Characters, and of the little
dependence
That can be placed on the appearance
Of merit of sense”
-Jane Austen.
An English novelist, Jane Austen was
born on 16th of
December, 1775 in England. George Austen was belongs to the family of woollen
manufactures. Her mother, Cassandra was a member of prominent family. She had
six brothers and one sister. Her brother’s names were as: 1. James 2. George 3.
Edward 4. Henry Thomas 5. Francis William 6. Charles John and sister’s name was
Cassandra Elizabeth. She also like Jane died unmarried. Cassandra was Austen’s
nearest person and confidante throughout her life. Her sister was will to her
and she used to know everything about each other.
Jane Austen was very famous English
novelist. She was very much famous for her works; she had earned a place as one
of the most widely read writers in English literature. Jane’s realism biting
irony and social contemporary have gained her historical importance among
scholars and critics. The steadfast support of her family was critical to her
development as a professional writer. In her literary period, she had
experimented with various literary forms. She was a successful published
writer. Her works are:
1. Sense and Sensibility (1811)
2. Pride and Prejudice (1813)
3. Mansfield Park (1814)
4. Emma (1816)
5. Mort hanger Abbey (1818)
6. Persuasion (1818)
She began to write a third novel but she died before completing
it. The title of the novel was “Sandition”.
Jane Austen’s novel’s have the
character and story with fall of sense. They also have the elements like
romance, comedy and all. She had also focused on women’s dependence and also
about on marriage to secure social standing and economic security. After the
publication of her nephew’s “A Memoir of Jane Austen”, she became more widely
accepted in academia as a English writer. She earns lots of love, glory and
respect in her life, with this she died on 18th July, 1817.
“Her heart did whisper that he had
done it for her.”
Sense and Sensibility:
“Sense and Sensibility” was Jane
Austen’s first published work in 1811 under the pseudonym “A Lady”. The novel
was a romantic fiction but it is also known as comedy of manners. The story was
about two Sister Elinor and Marriane Dashwood. The story took place in
Southwest England, London and Kent between 1792 and 1797. It was about their
love and life.
Jane Austen wrote the first draft of
the novel in the form of a novel in letters and gave it the title “Elinor and
Marriane”. She later changed to a narrative and the title to “Sense and
Sensibility”. The novel follows the young ladies to their new home, a merge
collage on a distant relative’s property, where they experience love, romance
and heartbreak. The philosophical resolution of the novel is ambiguous: the
reader must decide whether sense and sensibility have truly merged.
Elinor Dashwood:
Elinor Dashwood was the eldest
daughter of Mr. And Mrs. Henry Dashwood. She was 19 years old at the beginning
of the book. In the novel she becomes attached to Edward Ferrars, the
brother-in-law of her elder half brother, John. She used to care for her
family. She suppresses her own strong emotions in a way that leads others to
think she is different or cold-hearted.
Elinor as a Sense:
Elinor was a very practical woman by
nature. Elinor was a mature enough to tackle every situation. She was living
with two other ladies at her home. She was the only one veiling to hold up a
cautionary hand and tell everyone to hold off for a minute and it’s a good
thing she was there to do so.
Elinor’s practical nature often shows
in the novel. She is the voice of common sense in this crazy damn of excitable,
romantic woman and we were not sure that what would happen to them without her.
She was the one who thinks about the practical stuff. Where are the Dashwoods
going to live? How should they best respond to their new batch of crazy
neighbours and acquaintances? What happens if Marriane’s dramatic musical
rampages at the piano? She was actually very beautiful and kind hearted girl.
Elinor’s practiced outlook helps
everyone in the Dashwood family get through everyday life, but leaves Elinor
herself with some unresolved issues. Despite the fact that Elinor looks like
she was just as full of emotions as Marriane perhaps even more so. Elinor
doesn’t get dramatically carried away by infatuation the way her sister does,
but when she falls for someone, she falls hard. Her love Edward Ferrars, which
goes unannounced and unresolved for most of the book, may be hidden, but that
doesn’t make it any less powerful.
In the end, Elinor finally reconciles
her private feelings with her public persona, first by admitting her inner pain
to Marriane and then by joyously agreeing to marry Edward. At long last, she
was actually feeling on the inside to the people who matter to her most
furthermore, the happy young couple are able to come to a practical arrangement
with regards to their future plans-Elinor convinces Edward to approach his
proud mother, who rather grudgingly agrees to furnish him with some money. It’s
enough to ensure that the future Ferrars will be able to live reasonably well,
through not extravagantly, of course.
Marriane Dashwood:
Marriane Dashwood was sixteen year old
second daughter of Mr. And Mrs. Henry Dashwood. She embodies the “Sensibility”
of the title. She was totally opposed to her elder sister Elinor’s “sense”. She
embraces spontaneity, excessive, sensibility, love of nature and romantic
idealism lead her to fall in love with the debaucheries. John Willoughby,
though he painfully spurns her, causing her to finally recognize her
misjudgement of him. She was always getting herself into a tizzy about this or
that and her plot was directed purely by her emotions. She was something of a
self-indulgent romantic and she very rarely thinks about what is practical or
proper. After turn of heart, she ultimately marries her long standing admirer
Colonel Brandon.
“The more I know of the world,
The more I am convinced that
I shall never see a man,
To whom I can really love?”
-Jane Austen.
Marriane as a Sensibility:
Marriane represents sensibility in the
novel. She was all about passion. She believes firmly that one should be
directed by feelings not by logic or mind. Marriane powers out all of her
feelings into tempestuous rants. She hits both dizzying highs and terrifying
lows over the causes of this novel. The former come when she was head over
heels in love with Willoughby, while the letter strike after Willoughby dumps
her brutally. Love is a thing to behold. She was euphoric and radiant and her
happiness is infectious. When she was down though, she was really down. Her
depression on everyone around her and it seems that her emotions influence the
lives of her friends and family almost as much as they influence Marriane
herself.
Marriane’s Sensibility represents the
kind of literary heroine common in the so called novel of sensibility”. These
heroines were typically romantic innocent, young girls inclined to swoon and be
relatively confused. Austen’s witty novel takes this sensitive heroine figure
and displaces her instead of being in a novel that glorifies emotion and
sentimentality. Marriane is stuck in the real world, a place of money,
political marriages.
In the end, Marriane comes to realize
that her unleashed emotions almost killed her literally. Her decision to marry
Colonel Brandon is the ultimate practical step in her life. Though she didn’t
immediately feel sparks with the Colonel. She intellectually appreciates that
he is a good guy. He can provide a wonderful life for her.
Difference between the
character of Elinor and Marriane:
The title of Jane Austen’s “Sense and
Sensibility” expresses not only the individual character traits but also the
relation and interaction of Sense and Sensibility in the society as portrayed
in the romantic literature of this time. It is doubtful, however that Austen
would have been able to fully describe this relation without creating the two
characters who would exemplify sense and sensibility in their actions and their
behaviour and comparing them and the ways they interact with people around them.
Austen presents her own attitudes about her contemporary society and its
obsession with the ideals of romanticism.
One of the most noticeable differences
between Elinor and Marriane is in the way they expresses their feelings. Both
of them are capable of strong emotions, although some readers may think
otherwise because Elinor makes her feelings well. While some can view Elinor’s
composure as a sign that she is emotionally more stable than her younger
sister, a point of no less importance is how Elinor exemplifies her
contemporary society’s unhealthy obsession with secrets. It appears that every
person who is acquainted with the sisters tends to trust some sensitive
information to Elinor, most likely because they observes her quietness and judge
that their secret will be safe with her. Very few of these secrets reach
Marriane without first going through Elinor. The reason for this is described
by Marriane herself when, at one point in the story, she says to her sister.
“We have neither of us anything to tell; you, because you communicate, and I
because I conceal nothing” (Austen, 184). Because
Marriane’s emotions often force her to disregard to accepted social standards,
she is considered too “dangerous” by her acquaintances to disclose to her any
secrets firsthand. Instead, they tell them to Elinor, who will always think
twice before voicing any of the information she receives. Some of it likes Lucy
Stut’s engagement to anybody. But even the private information that is soon to
become public in a form of gossip or otherwise is given to Elinor first, so she
can pass it on to Marriane in a less emotional form. It is a common occurrence
in the novel that Elinor converses with someone in regards to some ‘secret’.
She already knows but she not only does not reveal this knowledge verbally, but
also keeps her facial expression so as not to reveal any prior knowledge.
When it comes to the regard for social
norms, the difference between the two sisters is obvious. Once Marriane meets
Willoughby the rest of the company her family keeps ceases to exist for her.
Her emotional state calls for all her attention to be given to Willoughby and
the thought that others may consider her behaviour improper or be offended by
it does not enter her mind. Her personal invests receive priority in a similar
manner while in London when she effectively ignores her hostess and society and
is being rude to her well-meaning sister because she is upset that Willoughby
fails to contact her. Afterwards, After she finds out about his betrayed,
Marriane goes into asocial shell, disregarding the way she has no interest in
society without Willoughby being in it and thinks that no one around her can
understand her pain.
In addition, Marriane ignores the
social circles like this because she despises their concerns and their
interest. This disclaim is apparent in her short emotional outbursts card games
which is one of the major social amusements in her contemporary society. Even
Marriane’s near fatal illness can be attributed to her emotions forcing her to
disregard the feelings of others and their concerns for her. After all, she
denies the need to change out of wet clothes after walking in cold, rainy
weather and declines all medicines when she begins to feel poorly. These
actions are Marriane’s additional acts of defiance against socially accepted
norms, in this case those concerning care for one’s health.
Unlike her sister, Elinor always
thinks how her actions or behaviour would reflect on others around her. This
“sense” of social norms is what keeps Elinor from expressing her feelings
openly like Marriane does. In order to block her emotions so as to appear calm
and collected in front of other people. Elinor searches in her own mind for
ways to justify the actions of others even are those actions hurt her. Elinor
has the same social concerns, such as propriety and financial well being as the
rest of the people around her and it is not very flattering to her character
because other members of her social circle are portrayed in an unfavourable
light because of their obsession with those things. Marriane does not concern
herself with money for a moment during her relationship with Willoughby. It is
Elinor who explains in socioeconomic terms, to Marriane why she would be
unhappy while married to Willoughby even if he shared her feelings and proposed
to her.
Despite all this, however, Marriane
close possess a fair amount of “sense”, and Elinor is a considerably more
sensitive person than she appears to be at first. Marriane’s moment of sensible
conduct comes on her sicked. After recovering, she later mentions to Elinor
that even though she had no reservations against dying in a state of emotional
hurt. She could not bear what her death would cause to her mother and sister.
Elinor on the other hand, shows how emotional she really is when she loses her
composure at the news of the supposed marriage of Edward and Lucy. This is when
she realizes that trying to deceive others that she was indifferent to this
match, in order to avoid social scandal, she was also trying to deceive herself
and now her emotions showed her that she failed. The fact that positive
emotions have a similar ability to crack Elinor’s social mask is shown later,
when she again loses her composure, when Edward comes to Barton to propose to
her and in the process to explain that Lucy actually married his younger
brother Robert.
Austen does not fail to once again
show the importance of finance to their well being and how in the end,
societies influence the person’s actions. Despite marrying the man whom she
loves, Elinor still persuades Edward to reconcile with his mother. So she would
help them out financially. Marriane, on the other hand is persuaded by everyone
close to her to marry a man who is already well off financially but who does
not match her in terms of emotional intensity
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